Jordan AJF 13 Hamlet, The Catcher in the Rye, and

shoes9h4x

Despite what marketers would have you believe, angst is not just a gelled,[link widoczny dla zalogowanych], chiseled, peerless unkempt product of the Twilight phenomenon. Holden Caulfield is sovereign of twentieth-century angst, and he was hitting nigh with a murmur slit behind in the 1950’s. S?ren Kierkegaard set the philosophical bar for angst in the nineteenth century and administered to do so while dressing a altitude hat. And who tin forget Prince Hamlet, the skull-carrying, pantaloon-wearing elemental angst-er of the European canon?
Both Hamlet and Holden are confidential, lovesick youth men scarred along the necrosis of a home membership. As a result of their speechless suffering, they feel - and make a point of transforming - alienated from their relative communities. (Which is no huge wastage, considering that they either meditation the earth is full of hypocrites and imposters.) Lashing out via passive raid, Holden and Hamlet lie to / generally screw with human until their sanity becomes a stuff of argue. And if that isn't ample to convince you of their oddly collateral lives, just bear in idea the fact that they can both fence.
v class="clear">
The important point of divergence comes when Hamlet subliminates his silence anger through the death of his uncle... not to advert his mother, his girlfriend, his girlfriend's brother, his girlfriend's dad, his two closest friends, and himself. Compare that to The Catcher in the Rye, which ends with Holden evidently having been committed to a cerebral tradition with all his frustrations living and kicking hard.

If we take into consideration the truth that the prince of Denmark namely just a few rungs below, you understand, Most Powerful Guy in the Country - as long as when swordfighting and poisoning are still thought fairly run-of-the-mill - the apparent audacity of his doing diminishes, principally considering it takes always 5 acts of Hamlet for him to even work up the nerve to do it. Holden, aboard the other hand, doesn’t hesitate to onset his macho jerk of a roommate "right smack in the toothbrush, so it would split his goddam throat open." Even though the bombard fails, this is pretty bold for a 17-year age get ready educate children alive during the epoch in US history that coined the term "cooties."
Kierkegaard, of way,[link widoczny dla zalogowanych], looked at angst from a strictly Western, Christian attitude, but literary figures favor Holden and Hamlet have a much more universal enroll. (That is, unless you're weary of all the agonizing and hesitancy, in which circumstance you should go peruse To Kill a Mockingbird fknow next to nothing ofme of Scout's shoot-first-ask-questions-later knowledge.) In fact, despite the potential language barrier (Hamlet: "what / is this quintessence of dust? Man joys no me"; Holden: "That fellow Morrow was about as perceptive for a goddam restroom seat") the 2 have a remarkable amount in prevalent.
Holden's fighting spirit evaporates over the course of the novel, however, and later losing his second fight, he imagines he's a gangster with a bullet in his abdomen and his best girl at his side. "The goddam videos," he laments. "They can mar you." And maybe he's right, considering that our modern,[link widoczny dla zalogowanych], socialized concept of catharsis usually involves renting films and letting the scenarios wash over you. Maybe Twilight's onto someone once and for all.